Church of Saint Agatha at the College

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The Church of Saint Agatha at the College overlooks Corso Umberto I with its elegant façade in white sandstone from Sabucina, contributing to the Baroque charm of the city.

Chiesa di Sant'Agata al Collegio

The church was built between 1588 and 1628, designed by the Jesuit architect Alfio Vinci, later replaced by architect Natale Masucci, and entrusted to the Jesuit friars, who had been brought to the city by Lady Luisa Moncada and her son Francesco II to raise the level of local culture. The grand 18th-century portal by Ignazio Marabitti, in bright white stone and crowned with a broken pediment, leads into a Greek-cross interior, clad in inlaid marble and rich with Jesuit symbols reflecting the spirituality of the order.

At the center of the vault, restored in 1950 by Luigi Garbato, an illusionistic fresco opens up, depicting the triumph of the order soaring toward heaven, framed by faux-stucco decorations and pictorial masterpieces dedicated to Eucharistic and Marian themes that enliven the nave, transept, and chapels. Each arm houses shrines decorated with polychrome marble and works by Sicilian artists: the Chapel of Saint Ignatius is enriched by a relief by Marabitti showing the four continents at the founder’s feet. The altar opens at the center to reveal the mummified body of Saint Aurelius the Martyr, transferred to the church at the wish of Lady Luisa Moncada, surrounded by numerous relics.
 

Above the main doorway stands the monumental organ, while the chapels of Saint Anne, Saint Aloysius Gonzaga, and Saint Francis Xavier display glimpses of 16th-century paintings and wooden sculptures from the Nissena school. In the presbytery, the high altar preserves the Martyrdom of Saint Agatha by Agostino Scilla, set in a black marble frame surmounted by putti, and enriched with statues of the Immaculate Virgin and Saint Michael the Archangel. The transformation of the college into the municipal library and the Vincenzo Bellini music institute testifies to the cultural vitality of the complex, which today represents an essential stop for those exploring the dialogue between faith, art, and history in the historic center of Caltanissetta.

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