Church of Santa Maria dell’Itria

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The church was built in 1602 outside the town center, at the crossroads of two ancient roadways.

Chiesa di Santa Maria dell’Itria

The Church of St. Mary of Itria, whose devotion was introduced by Sicilian soldiers of the imperial army who took part in the siege of Constantinople by the Turks in the 8th century, was erected outside the town center in 1602. The following year, on July 14, 1603, the homonymous confraternity—the oldest in the town—was founded. Among the churches built at that time, this is the only one located extra terra, that is, outside the town. It stands at the intersection of two important ancient routes that cross this area: Agrigento–Catania and Licata–Palermo.

The first procession with the statue of the Virgin took place in 1657, probably with the same wooden statue that still dominates the main altar, carried on the shoulders of two Basilian monks, called “calojari” by the people. Between 1737 and 1749, restoration works began, as in other local churches, thanks to the financial support of the Prince of Palagonia. The funds were just enough to complete the nave, while for the apse it was necessary to rely on the people’s almsgiving.

The church is therefore decorated in two distinct architectural styles: the central nave is late Baroque, while the apse is Neoclassical. It was reopened for worship only in 1769. In 1872 it was temporarily closed because of fears of the floor collapsing over the underlying crypt; after repairs, Father Samuele, known by all as “the guardian father,” reopened it. In 1885, during a cholera epidemic, the church was converted into a “lazaretto,” a decision opposed by the townspeople, who preferred to care for the sick at home.

In 1967 it became a parish and was provided with a large rectory. In 1988, a bell tower designed by architect G. Riccobene was built. The church also houses works of notable value: the statue of the Savior (c. 1755), used in the Easter Sunday “Encounter,” the statue of Saint Lucy (1700), those of Saint Francis of Assisi and Saint Anthony of Padua, a painting of the Madonna della Rocca (1756), and the sculptural group of the Madonna and the announcing Angel, by Francesco Biangardi.

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